Review: Swiss jazz drummer Samuel Rohrer gets his work interpreted in a radically different manner by some of electronic music's most daring artists. First up is Burnt Friedmann, who turns 'Microcosmoism' into a lithe, stepping groove, its rumbling drums supporting insistent stabs, reverberating cymbal crashes and a murky bass. Ricardo Villalobos has remixed the same track; while the minimal producer's take also has an irresistibly lopsided feeling, its punchy drums and series of off-beat tones and sonic squiggles will undoubtedly appeal to his fans. The Chilean-German has also collaborated with Max Loderbauer under their Vilod alias to turn 'Uncertain Grace' into a scuffled, teased out track. Review: The celebration of Dekmantel's tenth anniversary draws to a close with a memorable release. Originally released almost twenty years ago, Ricardo Villalobos' interpretations of Tony Allen's 'Asiko (In A Silent Mix)' have not lost their lustre. Taking the Afrobeat pioneer's organic drums and uplifting horns down a hollowed out pathway, Villalobos throws in rickety percussion, reverberating effects and warm washes of guitar over a lopsided, lazy rhythm to give Allen's sound a magical, voodoo sensibility.
Ricardo Villalobos - Dexter (Two Lone Swordsmen Remix) (5:50) 02. Ricardo Villalobos - Easy Lee (Smith N Hack Remix) (9:24) 03. Ricardo Villalobos - Alcachofa Remixes (2004) 6-03-2018, 13:52. On IsraBox you can listen music for review is also you can download music albums. We present new, exclusive music and the hot hits for. You can link a bandcamp, dropbox, torrent site, anything really. I think most people would rather be able to download the albums instead of streaming them, so a download is. Joyofdivision - Ricardo Villalobos - Alcachofa.
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It says a lot about Villalobos' abilities that he can make these free-flowing psychedelic grooves work in his DJ sets - for us mere mortals, hearing this release in its full 29-minute glory is a spiritual experience in itself.
It's wholly appropriate that this album is titled (Spanish-to-English translation: artichoke). If the kind of vivid house you hear blaring in the hip clothing store is an apple, giving the mouth an instant burst of flavor the moment the teeth puncture its skin, then the microhouse of is more like an artichoke - a more subtle fruit that's consumed by peeling off its fleshy leaves and delicately skimming the pulp off the inner surface.
Out of all the microhouse producers, is the one who has thrived the most on skeletal structures and the slight but all-important subtleties that accompany them. That continues here, with burbling, spacious constructs swarming all throughout your headspace. The best example of his rank as a supreme sound designer is the opening 'Easy Lee,' the faintly claustrophobic ten-minute opener. The manner in which the pattering percussion and queasy vocal refrain are treated is likely to make you feel as if you're being held in a sac that stores some sort of viscous fluid. Unlike most house, there isn't a great sense of redemption, spirituality, or joy in ' productions. In fact, the overriding moods are slightly nervous and pensive more than anything else, despite the elongated grooves and absence of agitations.
And while these tracks fall in line with the remainder of his discography, as tracks that are destined to be caned during DJ sets, they are also more likely to be utilized in home-listening settings. Could've easily thrown together a compilation of previously vinyl-only highlights - from releases on Perlon, Playhouse, Lo-Fi Stereo, Frisbee Tracks, and others - that would've made for one of the best dance full-lengths of 2003. Instead, he came up with this almost entirely new set, and the result is exactly the same. He is in complete control of his machines at all times, and he makes them do strange things that no one else can.